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Dazzle_of_Dragonflies
Many superstitions surround the dragonfly. Some of them are reported in a brilliantly illustrated book by entomologists Forrest L. Mitchell and James L. Lasswell entitled A Dazzle of Dragonflies. One such belief is that dragonflies are poisonous and that their sting is fatal. They are said to be servants to snakes and the devil. Still today, one common name for the dragonfly in the U.S. is “devil’s darning needle.” They are to be avoided at all costs. The book’s authors assure us that these beliefs aren’t true, but they also admit that dragonfly lore is beyond their expertise. Truth can be powerful medicine, although many people resist it. But stories can be powerful medicine, too–or powerful poison.

 

Native American writer Thomas King (The Truth about Stories) tells us that we are our stories. We have to be careful with them because, as he says, they contain “relationships that help to define the nature of the universe and how cultures understand the world in which they exist.” Truth would seem to eliminate the need for stories, reducing existence to little more than biological and physical facts, which is fine if you’re a rock, an ocean wave or a fruit fly. But since we’re self-aware, self-conscious humans we need stories to define who we are. We might say that fiction is our truth–that it provides meaning, purpose, direction to our lives.

 

Truth is, Dragonfly might be poisonous after all. He can make people fearful and angry. He can fill them with shame. He can, it is said, sew up the fingers and mouths of nagging women, mouthy children and men who cuss up a blue storm. One story says he can fly right into your ear and penetrate your brain. It’s true … I swear! He really can! In fact, he has just penetrated your brain and is waiting there now for your response. The dragonfly is a trickster, though. A.R. Campbell (Bats, Mosquitoes, and Dollars) referred to the dragonfly in 1925 as “man’s best friend in the insect world” (qtd. in Mitchell, Lasswell). He can cure malaria by eating mosquitoes. I swear … this, too, is true.

 

The devil may be in your own mind, and so may the healer … the good and bad together, says a Lakota man I know about. A constant refrain in King’s book, referred to above, is that (in my partly paraphrased, partly quoted version) you may do whatever you want with the story–scoff at it, dismiss it, forget about it. Just don’t say that if you had heard it earlier you would have lived your life differently. “You’ve heard it now.”

Apollo_with_RavenAmazing what we will see if we just start looking and asking questions. One thing leads to another, connections are made, knowledge and understanding expand. Maybe the world makes a little more sense, or maybe we just learn to appreciate common motifs interpreted through different perspectives. As I was looking at images of the Greek god Apollo, I noticed this one with a black bird in it and immediately thought of Rainbow Crow who became blackened by soot bringing fire from the Creator to his animal pals slowly freezing to death on earth (see last post). I figured the bird must have some meaning, so I Googled it.

 

Apollo, the sun god–and god of music and reason–had many lovers. One was Coronis, who was pregnant with his child. In one of his many absences, he became fearful that she would take another lover, so he enlisted the help of a white raven to spy on her. The news wasn’t good, and in his anger Apollo turned the white raven black. He also killed Coronis but saved the child and named him Asclepius, then trained him in the healing arts. Asclepius, we may know, grew up to become the “father of modern medicine.”

 

It might be easy to feel sorry for the raven (an example of “shooting” the messenger), but after all it’s a symbol of change, a symbol of the passage from innocence to knowledge–and like Rainbow Crow, the raven is rewarded by becoming sacred to Apollo. In the background, I hear dragonfly whispering to me, warning that I might get burned for curiosity but also reassuring me that the rewards might be great. Maybe it will give birth to a great healing.

Rainbow_Crow_FluteThe story of Rainbow Crow first came to me through Billy Crowbeak (Woodpecker Creations) who made the beautiful flute shown here. It originates from the Lenni Lenape tribe and is retold by S.E. Schlosser. You may want to read it here (Rainbow Crow) before continuing.

 

When I first read the story, I thought immediately of the ancient Greek myth of Prometheus, whose name means “forethought.” He was the Titan who stole fire from Zeus and gave it to primitive man, who in turn used it to prosper and grow. Whereas Prometheus resorted to trickery and deceit, Rainbow Crow exchanged his beautiful song for fire, willingly bestowed by Creator. The other animals (no mention is made of humans) are saved from certain death under a freezing blanket of snow. Both Prometheus and Rainbow Crow sacrifice themselves for the benefit of others, both are “punished” or in some way humbled, and both find release or compensation from their trials.

 

Whatever the true origin of fire—whether from the gods, Creator, or some accident of nature—we might understand it in both literal and metaphorical terms. On the literal level, fire allowed us to warm ourselves and cook our food (helping to kill germs and preserve meat). On a metaphorical level, fire is often associated with thought, with an idea. Today, we think of a light bulb switching on in our heads. We might wonder … before primitive man had the capacity to ideate—to picture the concept of a god or the uses to which fire might be put—what sparked the first imagination, and what price did that person have to pay for introducing potentially terrifying new ideas into the community?

 

Rainbow Crow loses his bright colors, blackened by the soot of a flaming branch, and his beautiful song is reduced by smoke to a harsh, guttural “caw.” Creator, however, ensures that he will be protected and honored for his sacrifice. In my own continuing story, dragonfly instructs me to play the flute just as Rainbow Crow sings, and to wait patiently and humbly for unexpected gifts bestowed by Creation.

text_leaderHow does a trained skeptic write about a “mythology” he doesn’t quite believe in or comprehend because he stands outside of the culture that produced it? I’m not just talking about Native American stories, either. In school, we often study stories as if they were lifeless insects impaled through the heart by long, sharp needles affixing them to a bed of white cotton. It isn’t often possible to immerse ourselves in living oral traditions we aren’t part of, and even if we could we’d always be outsiders to some degree, ethnographers rather than full participants. Still, we might learn something by exploring the ironies, the distance between illusions and reality … we might even lessen the gap a little among skeptics and believers—assuming this is a worthy goal, and I believe it is.

 

With the best of intentions, a desire for truth and wisdom, is it still possible to be misled by the dragonfly guide–to steal or misappropriate stories that don’t really belong to us because they must be lived to be understood, not interpreted? Whose story is being told or retold? Whose purpose is being served? Whose well being? Recently, I was led to a book that should become essential reading before anyone embarks on this journey of the dragonfly.

 

A Broken Flute: The Native Experience in Books for Children is an encyclopedic collection of critical reviews of books written about Native Americans for children between the early 1900s and 2003, along with stories, essays and poems from its contributors. In an “Open Letter to a Non-Indian Teacher,” a mother asks “What values, class prejudices, and moral principles do you take for granted as universal? [….] Can you help [my child] acquire the intellectual skills he needs without at the same time imposing your values on top of those he already has?” That’s a tall order, for sure, but one that can’t be ignored because lives and identities are at stake.

 

Three children’s books about Kokopelli are reviewed, all written since 2000 and “all written by cultural outsiders,” the reviewer informs us. She goes on: “[They] will undoubtedly appeal to people who collect Kokopelli lamps, Kokopelli coasters, Kokopelli napkin rings, Kokopelli-printed toilet paper, and the like.” She cites an unnamed but well-known Hopi storyteller who says “In our traditional beliefs, Kokopelli is a Katsina of fertility, he is a deity. He does not go around playing a flute; he’s carrying a cane or rod. And he’s not a ‘humpback,’ he’s carrying a burden. Whenever he appears in our rituals, he is copulating. When the Katsinam come out, he goes around trying to hump people. Grown men run from him! It would be more appropriate to put his image on a bottle of Viagra or on a condom vending machine than in a children’s book.” The storyteller remains anonymous not from a desire to hide but because it is considered impolite to make others appear foolish or stupid.

 

And so … at the risk of making myself appear foolish or stupid without help from anyone, my journey with dragonfly continues. I invite your comments.

paulflute

Beneath the ancient cedar

Actually, the journey began at least two years ago with regards to the Native American-style flute, though who knows exactly what set the stage? Since then, many hours practicing by myself, leading to eventual connection to other flute players locally and around the globe via internet. Now a bit of local fame in the State Journal-Register (Springfield, IL). See the e-version of the article here: Musicians March to a Different Drum. The dragonfly is emerging into the sunlight of public scrutiny. I’ve given a lot of thought to this blog site, its purpose, what I hope to accomplish with it. Sure, partly it’s about self-promotion and the desire to share my flute song with others, but it’s more than that. The journey of the dragonfly is about self-exploration (and I will have much more to say about that in future posts), but it is also about combining my love for native flutes and literature to give this site more global meaning and interest. Stay tuned … the dragonfly is just warming up.

 

Photo © 2009 Shannon Kirshner/The State Journal-Register
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